Michael Rakowitz
Michael Rakowitz
Nimrud
ed. with text and interview by Katherine D. Alcauskas ; intr. by Tracy L. Adler ; text by Rijin Sahakian

Author(s)
Katherine D. Alcauskas, Tracy L. Adler, Rijin Sahakian
Editor(s)
Katherine D. Alcauskas
Publication
New York : Delmonico Books ; Wellin Museum of Art ; Hamilton College,, 2021
Scope
146 Pages, illustrated, 25,5 x 28,5 cm cm.
ISBN
9781636810256

Using Arab-language newspapers and wrappers from food products imported from the Middle East, Iraqi American artist Michael Rakowitz (born 1973) has recreated to scale Room H from the Northwest Palace of the ancient Assyrian city of Nimrud (Kalhu). Part of a reception suite, Room H was originally lined with seven-foot-tall carved stone reliefs, including an inscription detailing Ashurnasirpal II's achievements and winged male figures, many of which have been removed by Western archaeologists over the last 150 years. Here, Rakowitz has “reappeared” only those panels that were in situ in Room H when the remains of the palace were destroyed by the jihadist group the Islamic State (ISIS) in 2015. Areas from which the reliefs had already been removed by 19th-century archaeologists are left blank, resulting in what Rakowitz calls “a palimpsest of different moments of removal.” Published accompanying the similar titled exhibition at Wellin Museum of Art at Hamilton College (Oct. 19, 2020- June 18, 2021)


Person as subject
Michael Rakowitz
Keywords
art in public space , critical aesthetics , iconoclasm , diaspora
Stroom project
Michael Rakowitz : Be longing ; Rotterdamsebaan
Location
Cabinet 7 - 1: Kunstenaars
Remarks
Incl. notes, and notes on individuals and entities quoted in accompanying didactics