Leonor Antunes
Leonor Antunes
villa, how to use
concept Leonor Antunes ; with essays by Maria Berman, Nuria Enguita Mayo, Ricardo Nicolau, Dieter Roelstraete, Doris von Drathen

Author(s)
Maria Berman, Nuria Enguita May, Ricardo Nicolau, Dieter Roelstraete, Doris von Drathen
Editor(s)
Leonor Antunes
Publication
Berlin ; Porto : Bom Dia Boa Ntarde Boa Noite Verlag ; Fundacao de Serralves, 2013
Scope
128 Pages, illustrated, 25 cm.
ISBN
9783943514193

The first monograph to be published on the work of Leonor Antunes, villa, how to use is released in association with the exhibition Antunes conceived for the Serralves Villa in 2011.Dieter Roelstraete highlights the speculative concerns that, under the blanket term architecture, Antunes shares with the three most important German-speaking philosophers of the twentieth century (Wittgenstein, Heidegger, and Adorno): identity and belonging, homeliness and uprootedness, measures and proportion, space and balance. Taking the case study of Manhattan’s Park Avenue after WWII, Maria Berman examines the theme of duplication in architecture. Doris van Drathen finds in Leonor Antunes’ work the use of “measurement” as a tool of grasping the world. Nuria Enguita Mayo addresses the problems of duplication, faktura and restriction, while Ricardo Nicolau reflects on the dialogue of the artist with the architecture of the Serralves Villa and the memory of other buildings from the history of modernism.


Person as subject
Leonor Antunes
Keywords
architecture , installation , sculpture , design
Location
Cabinet 1 - 2: Kunstenaars
Remarks
Incl. bibliography.