The Skin of the Film
Intercultural Cinema, Embodiment, and the Senses
by Laura U. Marks

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Auteur(s)

Laura U. Marks

Uitgever

Durham, North Carolina ; London : Duke University Press, 2000

Omvang

300 p., geïllustreerd, 23.5 cm.

ISBN

9780822323914

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Memories that evoke the physical awareness of touch, smell, and bodily presence can be vital links to home for people living in diaspora from their culture of origin. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? Filmmakers seeking to represent their native cultures have had to develop new forms of cinematic expression. Marks offers a theory of “haptic visuality”- a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste - to explain the newfound ways in which intercultural cinema engages the viewer bodily to convey cultural experience and memory. 'The Skin of the Film' draws on phenomenology, postcolonial and feminist theory, anthropology, and cognitive science.

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Trefwoorden

film , video , decolonisation

Locatie in de bibliotheek

Kast 29 - 4: Expanded Space ; Global Art ; zwarte kunst en cultuur

Extra thema's

Body and Architecture, Body and Space, Residents and the built environment ;

Opmerkingen

Incl. Bibliographical References, Filmography, Videography and Index.