Uncertainty Seminars: The Strange Escape (more background information)

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Ramon Amaro & Conrad Moriarty-Cole:
Movement and De/colonial Vibrations

"Whenever movement is perceived, we are presented with a 'double existence': an objective registering of sensory input and a perceptual feeling of continuing movement".
- Brian Massumi, The Archive of Experience

According to Albert Michotte, movement has the uncanny ability ‘to survive the removal of its object'. We experience this movement as a momentum, to which nothing visible can coincide. In other words, what we perceptually see does not necessarily match the feeling of what we see. Put another way, what we see as the end of a linear history of colonial expansion is disrupted by sentiments of reflection, resistance, freedom, and spirituality that reveal the consistency of empire at present sites of labour, infrastructure, and engineering. Movement and De/colonial Vibrations — a downloadable audio project and self-guided walking tour compiled by Ramon Amaro (of SambaRhino) and Conrad Moriarty-Cole (of London-based audio collective, SLAC) — questions the ‘double existence' of object locations, as Brian Massumi describes them, by re-articulating the objective registering of sensory input and the contradictions of perceptual feelings. In doing so, the project invites an aural and visual exploration of de/colonial Den Haag using Diasporaic Afro-beats, soundscapes and spirituals that puncture the presence of momentum, and disrupt notions of frictionless colonial reconciliation.

Ramon Amaro is Associate Lecturer in Critical Theory and Media Philosophy, Associate Lecturer in Visual Cultures, and PhD researcher at Goldsmiths, University of London. He holds a Master's degree in Sociological Research from the University of Essex and a BSe in Mechanical Engineering from the University of Michigan, Ann Arbor. Ramon is a former quality design engineer for General Motors and programmes manager for the American Society of Mechanical Engineers and has been an Assistant Editor for the SAGE open access journal Big Data & Society. His research interests include philosophy, machine learning, and black study. He is currently research fellow in decolonising design at Het Nieuwe Instituut - for which he recently wrote this essay. Last Spring in London, he organised the Techno Resistance and Black Futures Festival. Get a feel and listen to the mixtape he made for that occasion: love-is-where-you-find-it-mixtape-01-tribute-to-baldwin

Conrad Moriarty-Cole
Conrad Moriarty-Cole is a PhD researcher and associate lecturer in Cultural Studies at Goldsmiths College, University of London. His research intersects technology, imagination, and process philosophy, from the standpoint of which he is currently exploring how the unknowable is folded into decisional modes of reasoning. He is also a founding member of London sound collective S.L.A.C., who recently put together a mixtape for the Techno Resistance and Black Futures Festival, which you can listen to here: https://m.soundcloud.com/user-163191244-352536143/afro-futurism-mix-mixtape-02

Jude Crilly
Visual artist
www.jude-crilly.com
Inspired by her writing and editing practice, artist Jude Crilly presents a new performance work. Using live voice, a live original score and precisely choreographed (micro) gestures, the performance takes the form of a toxic inter-generational love-hate story for two voices. Natural speech is processed, mirrored and layered. The constant leakage of words into space creates a dialogue which stutters between control, emotion and abstraction.
Jude Crilly (UK/CA) lives and works in Amsterdam and London. Through performance, objects, installation, drawing, sound and text, her work explores the mysticism rooted in the technologies which drive today's socially hyperactive society. She is a resident at the Rijksakademie van Beeldende Kunsten, Amsterdam (2018-2019). She received her MA Sculpture, Royal College of Art, London (2015) and BA Graphic Design, Gerrit Rietveld Academie, Amsterdam (2010). Recent exhibitions and performances include Transformation Marathon, Serpentine Galleries, London; BALTIC Centre for Contemporary Art, Newcastle; Camden Art Centre, London (all 2015); Contemporary Art Centre, Vilnius (2016) and Galerie Nadine Feront, Brussels (2017). Past residencies include Rupert Residency, Vilnius (2016) and Hospitalfield, Scotland (2015). Upcoming projects include WGPunt Amsterdam, and the Whitstable Biennale 2018.

Johanna Koljonen
Media analyst, experience designer and LARP expert
www.participation.design
Johanna Koljonen (founding partner, Participation Design Agency) is a participation designer and theorist consulting on experience design with museums, the public sector and media companies. She is an authority on designing for safety and trust in participation, and lectures on analog experience design, Nordic Larp and changes in the media landscape. She co-founded the Alibis for Interaction Masterclass and the Nordic Larp Talks, both of which she hosts, and is the analyst of the Nostradamus Project, which charts and predicts the close future of the screen industries. In 2011, she received the Swedish Grand Journalism Award in the Innovator of the Year category. She is the author of the Oblivion High series of graphic novels, non-fiction books, digital games, and the 2016 play The Chicken Trial.

The Rodina
Design studio
www.therodina.com
The Rodina (Tereza and Vit Ruller) are a critical design studio with an experimental practice drenched in strategies of performance art, play and subversion. Both in commissioned work and an autonomous practice, they activate and re-imagine a dazzling range of layered meanings across, below and beyond the surface of design - and back again.  Studio The Rodina invents ways in which experience, knowledge and relations are produced and preserved. Interested in connections between culture, technology and aesthetics, they design events, objects and tools.  Studio The Rodina is responsible for the designs of exhibitions and programs over-arching Attempts to Read the World (Differently) for Stroom. For Uncertainty Seminars: The Strange Escape they have, in addition, designed a spatial intervention that functions as the backdrop for the event.